中國功夫（英）

　　“中華之美”叢書圍繞中華優(yōu)秀傳統(tǒng)文化這一主題，擇取其中15個專題分別加以介紹。這15個專題，包括以思想、智慧、藝術為主的“無形遺產(chǎn)”，以工藝、器物為主的“有形遺產(chǎn)”，以衣食住行樂為主的“民俗生活”，它們精心構架，有機結合，勾勒出中國文化的一個總體面貌，并反映出“中華文化的理念、智慧、氣度、神韻”。 中國功夫是一種特殊的文化形態(tài)，它以攻防搏擊為表現(xiàn)形式，以豐富的套路、招式、功法為具體內(nèi)容，在激烈的身體對抗（多數(shù)表現(xiàn)為假想對抗和模擬對抗）中敢于勝利并善于勝利。中國功夫是千百年來民族智慧的結晶，是民族傳統(tǒng)文化在武技一道的體現(xiàn)，也是民族心理個性在健身自衛(wèi)領域的合理反映。中國功夫不僅僅是搏擊術，更不是單純的拳腳運動，也不是力氣與技法的簡單結合，它飽含著哲理，深蘊著先哲們對生命和宇宙的參悟，以一種近乎完美的運動形式詮釋著某種古老的哲學思想，追求那種完美而和諧的人生境界。 Wushu， the Chinese martial art form known as kungfu in the West， embodies the national traditional culture in martial art form and also reflects the self-defense and health practices of Chinese people. The core philosophy of Wushu is drawn from the Confucius principle of physical and mental integration combined with neutralization; the Taoist principle of dynamic balance; the Buddhist principle of showing cultural syncretism of Confucianism， Daoism and Buddhism in China; and the Eastern theory， which believes man is an integral part of nature.

　　王廣西，曾任河南省社會科學院文學研究所研究員、河南省文史研究館館員、中國近代文學研究會常務理事、鄭州大學體育學院中原武術文化研究中心副主任。長期從事近代文學和武林文化研究，著有《佛學與中國近代詩壇》《左宗棠》《中國武術與武林氣質》《中國武術》《功夫——中國武術文化》《中原文化大典？武術卷》等。 Wang Guangxi， whose pen name is Lu Cao， was born in Xixia， Henan province in 1941 and died in 2008. He graduated from the Department of Chinese Language and Literature of Henan University. He had served as a researcher in the Literature Research Institute of Henan Academy of Social Science， a fellow in the Henan Research Institute of Culture and History， standing director of Modern Chinese Literature Research Society and deputy dean of Wushu Culture Research Center， Physical Education Institute， Zhengzhou University. His life was devoted to modern literature and wushu culture research， and his works include Buddhism and Chinese Modern Poetry， Biography of Zuo Zongtang， Kong Fu-Culture of Chinese Wushu Circles， Chinese Soldier， Chinese Wushu and Wushu Spirit and Central Plaint Culture ？Wushu.