MAYA 3D角色建模與動(dòng)畫必成攻略

定　價(jià)：￥86.00

作　者：	（韓）崔載振編著；楊俊娟等譯
出版社：	中國青年出版社
叢編項(xiàng)：	3D設(shè)計(jì)與制作系列
標(biāo)　簽：	卡漫軟件

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ISBN：	9787500647324	出版時(shí)間：	2002-01-01	包裝：	膠版紙
開本：	23cm	頁數(shù)：	789頁	字?jǐn)?shù)：

內(nèi)容簡介

　　本書由韓國著名MAYA專家崔載振先生精心編著，全書厚達(dá)800余頁，全面介紹了從角色建模到角色動(dòng)畫的全過程。本書使用Step by Step的方式來講述知識(shí)和技巧，使得讀者的整個(gè)學(xué)習(xí)過程較為輕松。書中的技術(shù)重點(diǎn)包括：以細(xì)分面建模為主的多種建模方式；面向相片級(jí)真實(shí)性的貼圖技巧；模仿人體肌肉動(dòng)作的動(dòng)畫技巧；模仿人體肌肉動(dòng)作的動(dòng)畫技巧；依據(jù)動(dòng)畫腳本制作角色動(dòng)畫的全過程。本書是MAYA 4角色建模與動(dòng)畫方面的權(quán)威之作，是初學(xué)者必備的學(xué)習(xí)手冊(cè)，是中高級(jí)用戶理想的進(jìn)階教材。

作者簡介

暫缺《MAYA 3D角色建模與動(dòng)畫必成攻略》作者簡介

圖書目錄

1 Character Modeling

1. Polygon菜單

1-1 Create Polygon Tool
1-2 Append to Polygon Tool
1-3 Combine
1-4 Split Polygon Tool
1-5 Extrude Face
1-6 Extrude Edge
1-7 Merge Edge Tool
1-8 Split Vertex Tool

2. Subdivision Surface Menu

2-1 Polygons to Subdiv
2-2 Subdiv to Polygons
2-3 Full Crease and Partial Crease Edge/Vertex
2-4 Uncrease Edge/Vertex
2-5 Mirror
2-6 Attach
2-7 Match Topology
2-8 Clean Topology
2-9 Collapse Standard
2-10 Standard Mode and Polygon Proxy Mode
2-11 Convert Selection to Face
2-12 Refine Selected Components
2-13 Expand Selected Components
2-14 Component Display Level
2-15 Component Display Filter
2-16 Displaying Subdivision Surfaces Compornents
2-17 其他等級(jí)的細(xì)節(jié)表現(xiàn)
2-18 定義Subdivision Surface的Smooth值

3. Quick Start Tutorial

Chapter 2_Polygons,Subdivision Surface Mapping

1.  Polygon Mapping

1-1 Assign Shader to Each Projection
1-2 Create UV
1-3 Editing UVS

2. Subdivision Surface Mapping

2-1 Planar Mapping
2-2 Automatic Mapping
2-3 Layout UVS

3. UV Texture Editor

3-1 UV Snapshot
3-2 Subdivis Menu
3-3 View
3-4 Select
3-5 Image

Chapter 3_Subdivision Surface Character Modeling

1. 制作臉的基本型

2. Subdivision Surface的UV Setting

2-1 Convert to Polygons
2-2 Cylindrical Mapping的使用
2-3 UV Editing

3. 把基本臉型變形, 進(jìn)行面部建模

3-1 Import Image Plan
3-2  Editing Subdivision Surface Model
3-3 用于細(xì)節(jié)的分級(jí)
3-4 Mirror Copy and Attach

4. Hand Modeling

4-1 Modeling Hand

5. 其他建模

5-1 服裝的建模
5-2 其他建模

Chapter 4_NURBS Modeling

1. 對(duì)基本菜單的理解

1-1 Curve Menu(Rebuild)
1-2 Surface Menu(Birail,Loft)
1-3 Rebuild Surface
1-4 Stitch Edge Tool
1-5 Global Stitch Tool

2. 放射型（One Patch） Modeling

2-1 Face Modeling
2-2 眼睛建模
2-3 耳朵建模
2-4 利用貼圖調(diào)整表面之間的曲率

3. Multi Patch Modeling

3-1 Face Modeling
3-2 Body Modeling

Chapter 5_Facial Expression

1. Using Skeleton

2. Modeling Blend Shape

2-1 臉部的肌肉結(jié)構(gòu)
2-2 牙齒建模的重要性

Chapter 6_Binding Character

1. Rigid Bind

1-1 Draw Skeleton
1-2 Bind Skin
1-3 使用Edit Membership Tool以及調(diào)節(jié)CV和point的Weight值
1-4 Flexor的使用

2. Smooth Bind II

2-1 Smooth Bind Options
2-2 Edit Smooth Skin

3. Smooth Bind Example

3-1 進(jìn)行Bind的準(zhǔn)備工作
3-2 Draw Skeleton
3-3 Binding Skin
3-4Editing Skin Weight

Chapter 7_Character Setup

1. Forward Kinematics and Inverse Kinematics

1-1 Forward Kinematics
1-2 Inverse Kinematics
1-3 Switching Forward and Inverse Kinematics

2. Advance Character Setup

2-1 Using Extra Joint
2-2 IK Spline Handle的使用
2-3 Using Constraint and Cluster
2-4 臉部表情的制作
2-5 Example Character Control
2-6 Surface Deformation Tip

Chapter 8_Nonlinear Animation

1. Understanding Character

1-1 Create Character Set
1-2 Create Subcharacter Set
1-3 Attribute Deitor
1-4 Add to Character Set
1-5 Remove From Character Set
1-6 Merge Character Set
1-7 Select Character Set
1-8 Select Character Set Members
1-9 Set Current Character Set

2. Trax Editor

2-1 制作片斷
2-2 片斷的操作
2-3 Pose的使用
2-4 片斷的輸出和導(dǎo)入
2-5 角色貼圖的輸出和編輯

3.Basic Tutorial

3-1 片斷的制作和編輯
3-2 使用Pose的Facial Animation

Chapter 9_Render Utility&Mapping Technics

1. Maya的Map環(huán)境

1-1 Node和Shading Network
1-2 Hypershade的活用
1-3 Shader Attribute

2. 使用Render Utility的Shading Network工作

2-1 Bump2D和Bump3D
2-2 Sample Info
2-3 Condition
2-4 Reverse
2-5 Set Range and Clamp
2-6 Stencil Utility
2-7 2D,3D Placement
2-8 Contrast
2-9 Blend Colors
2-10 Surface Luminance
2-11 Gamma Correct
2-12 Luminance
2-13 HSV to RGB,RGB to HSY
2-14 其他General Utility
2-15 Switch

3. Face Mapping

3-1 Color Map
3-2 Bump Map
3-3Specular Map

4.Mapping Technic

5. 使用Texture Reference Object的Face Mapping

2 Deep Paint 3D And Texture Weapon

1. Interface Component

2. Menu(Pull Down Menu)
2-1 File Menu
2-2 Edit
2-3 Select
2-4 Filter Menu
2-5 View Menu

3. Palette

3-1 Tool Palette
3-2 Color Palette
3-3 Command Panel

4. Texture Paint

4-1 Preset Texture Paint
4-2 Texture Paint Controls

5. Texture Weapon

6. Tutorial

6-1 Subdivision Surface UV
6-2 把模型過渡到Deep Paint
6-3 利用照片Source進(jìn)行貼圖

7. Multi Patch Modeling工作

3 Making a Short Animation with Maya

Chapter 1_Modeling

1. Frog Modelling

1-1 設(shè)置Modeling Pose
1-2 Modeling Frog

2. Bee Modeling

2-1 Head Modeling
2-2 Eye Modeling
2-3 Body Modeling
2-4 胳膊, 腿的建模

Chapter 2_Character Setting

1. Frog Setup

1-1 Using In-Out Mesh
1-2 Draw Skeleton
1-3 Binding Skin
1-4 Working with Flexor
1-5 Using Cluster

2. 用于Animation的Frog Setup

2-1 使用補(bǔ)充關(guān)節(jié)來控制骨骼
2-2 IK Handle的使用
2-3 Constraint的使用
2-4 Making Tongue Animation

Chapter 2_Character Setting

1. Frog Setup

1-1 Using In-Out Mesh
1-2 Draw Skeleton
1-3 Binding Skin
1-4 Working with Flexor
1-5 Using Cluster

2. 用于Animation的Frog Setup

2-1 使用補(bǔ)充關(guān)節(jié)來控制骨骼
2-2 IK Handle的使用
2-3 Constraint的使用
2-4 Making Tongue Animation

3. Bee Setup

3-1 Making Blend Shape
3-2 Draw Skeleton
3-3 Binding Skin
3-4 Working with Flexor
3-5 Create Blend Shape

4. 用于動(dòng)畫制作的Bee Setup

4-1 IK Handle和補(bǔ)充關(guān)節(jié)的使用
4-2 約束（Constraint）的使用
4-3 Set Driven Key的活用
4-4 圖層的活用

Chapter 3_Animating Frog

1. Frog Keyframing

1-1 樹上的動(dòng)作

Chapter 4_Rendering Frog

1. Frog Mapping

1-1 UV Setting
1-2 制作紋理
1-3 Shading Character

2. Bee Mapping

2-1 利用Fur制作絨毛

3. 利用Paint Effect制作樹

3-1 Basic Works
3-2 Painting Brush
3-3 Editing Brush Stroke
3-4 Fog的使用

4. 樹葉的貼圖

5. Using Depth of Field